You have no items in your shopping cart.
Product Description
Unrestricted Capacity, Uncompromised Clarity
* Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
* Plug ‘n play Pro Tools interface via MIDI
* AElogic Windows software offers total control
* Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
* Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed
* Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
* Effortless, vividly realistic musical performance
* Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
* Gain controls (1 dB per step) on all channels are-matched to .08 dB
* Ultra-clean toroid power supply
* Mogami Neglex OFC audio wiring, silver Teflon power wiring
* Aluminum 16 gauge rack chassis
Minimum Gain 8.5 dB
Maximum Gain
(1 dB per step, 65 steps)
(1 dB per step, 65 steps)
Frequency Response
+0 / -3 dB
sub 3 Hz to beyond 300 kHz
Noise
60 dB Gain, 10 Hz - 30 kHz, Inputs common
-133 dB EIN
Total Harmonic Distortion + Noise
35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out
< .001%, Typ. < .0005% (< 5 ppm)
Intermodulation Distortion
(50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out
< .0009%
Phase Response
35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out
< 2 degrees deviation
Common Mode Rejection Ratio
35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.
> 65 dB, Typ > 85 dB
Slew Rate
35 dB Gain, +27 dBu Out
> 25 Volts per microsecond
Maximum Input Level
20 Hz - 40 kHz
+23 dBu (no attenuator pads required)
Maximum Output Level
20 Hz - 40 kHz
+32 dBu
Phantom Input Impedance
1 kHz
6,750 ohms
Output Impedance 24.3 Ohms (x2)
DPA (B&K) Mic Powering +130 V dc max, (non-phantom)
Phantom Powering +48 V dc, +/- 2 V dc
Power Consumption 45 watts maximum
Power Requirements Selectable: 100-120, 200-240 V ac, 50/60 Hz
As a standalone 8-channel preamplifi er the HV3-R is deeply impressive enough. When you add to that the fl exibility of two different types of remote control operation, the sheer scalability of the system to deliver a whopping 384 channels of operation (if your pockets are deep enough), and Millennia Media has succeeded in delivering a product that will integrate seamlessly into a variety of modern production scenarios, while remaining true to the core values of that pristine audio path.
Jon Thornton, Resolution Magazine
The sound is great -- sweet, refined, full of dynamics - fabulous on grand piano.
Tony Faulkner, Greenroom Productions, UK owner of HV-3D and M-2B preamplifiers
The HV-3D is one of the finest pieces of gear with which I have ever had the pleasure to work. I use three of them to record the National Symphony Orchestra at the Kennedy Center, with spectacular results.
Charles Lawson, Senior Recording/Production Engineer, WETA Radio, Washington, DC
This is an outstanding mic preamp. I’ve never heard our mics sound this clean on piano. We’ve been using our [46 channels of] Millennia preamps on everything...
Jack Renner, President, Telarc Records International
Our HV-3D is primarily dedicated to making a great drum sound instantly available. It’s truly a beautiful thing and it sounds awesome... The HV-3D has added so much more to the feeling of creativity in our studio and I just want to say thanks for making such a great unit. It’s a solid piece of work, looks great and it sounds amazing - I’m in love!
John Haggins, DigiNote Studio, Miami Beach, FL
“For the HBO Live Broadcast of The Rolling Stones from Madison Square Garden 1/18/03, we used 82 channels of HV-3s on stage to drive about 800 feet of wire five stories down to the Silver Truck. I am absolutely amazed
at how good it sounded with that length of cable! Those HV-3s could drive the Atlantic phone cable to London!”
David Hewitt, Chief Engineer, Remote Recording Services
I like to get on tape (or on hard disc) what I hear in the room. When I was looking for a new mic pre, the main concerns were - no colouration, transparency and the lowest possible noise floor and reliability, because
we record 360 days a year. I simply could not find anything better than the HV-3D.
Jörg Mayr, Audio Engineer, Music Producer Vienna Symphonic Library
* Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
* Plug ‘n play Pro Tools interface via MIDI
* AElogic Windows software offers total control
* Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
* Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed
* Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
* Effortless, vividly realistic musical performance
* Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
* Gain controls (1 dB per step) on all channels are-matched to .08 dB
* Ultra-clean toroid power supply
* Mogami Neglex OFC audio wiring, silver Teflon power wiring
* Aluminum 16 gauge rack chassis
Minimum Gain 8.5 dB
Maximum Gain
(1 dB per step, 65 steps)
(1 dB per step, 65 steps)
Frequency Response
+0 / -3 dB
sub 3 Hz to beyond 300 kHz
Noise
60 dB Gain, 10 Hz - 30 kHz, Inputs common
-133 dB EIN
Total Harmonic Distortion + Noise
35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out
< .001%, Typ. < .0005% (< 5 ppm)
Intermodulation Distortion
(50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out
< .0009%
Phase Response
35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out
< 2 degrees deviation
Common Mode Rejection Ratio
35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.
> 65 dB, Typ > 85 dB
Slew Rate
35 dB Gain, +27 dBu Out
> 25 Volts per microsecond
Maximum Input Level
20 Hz - 40 kHz
+23 dBu (no attenuator pads required)
Maximum Output Level
20 Hz - 40 kHz
+32 dBu
Phantom Input Impedance
1 kHz
6,750 ohms
Output Impedance 24.3 Ohms (x2)
DPA (B&K) Mic Powering +130 V dc max, (non-phantom)
Phantom Powering +48 V dc, +/- 2 V dc
Power Consumption 45 watts maximum
Power Requirements Selectable: 100-120, 200-240 V ac, 50/60 Hz
As a standalone 8-channel preamplifi er the HV3-R is deeply impressive enough. When you add to that the fl exibility of two different types of remote control operation, the sheer scalability of the system to deliver a whopping 384 channels of operation (if your pockets are deep enough), and Millennia Media has succeeded in delivering a product that will integrate seamlessly into a variety of modern production scenarios, while remaining true to the core values of that pristine audio path.
Jon Thornton, Resolution Magazine
The sound is great -- sweet, refined, full of dynamics - fabulous on grand piano.
Tony Faulkner, Greenroom Productions, UK owner of HV-3D and M-2B preamplifiers
The HV-3D is one of the finest pieces of gear with which I have ever had the pleasure to work. I use three of them to record the National Symphony Orchestra at the Kennedy Center, with spectacular results.
Charles Lawson, Senior Recording/Production Engineer, WETA Radio, Washington, DC
This is an outstanding mic preamp. I’ve never heard our mics sound this clean on piano. We’ve been using our [46 channels of] Millennia preamps on everything...
Jack Renner, President, Telarc Records International
Our HV-3D is primarily dedicated to making a great drum sound instantly available. It’s truly a beautiful thing and it sounds awesome... The HV-3D has added so much more to the feeling of creativity in our studio and I just want to say thanks for making such a great unit. It’s a solid piece of work, looks great and it sounds amazing - I’m in love!
John Haggins, DigiNote Studio, Miami Beach, FL
“For the HBO Live Broadcast of The Rolling Stones from Madison Square Garden 1/18/03, we used 82 channels of HV-3s on stage to drive about 800 feet of wire five stories down to the Silver Truck. I am absolutely amazed
at how good it sounded with that length of cable! Those HV-3s could drive the Atlantic phone cable to London!”
David Hewitt, Chief Engineer, Remote Recording Services
I like to get on tape (or on hard disc) what I hear in the room. When I was looking for a new mic pre, the main concerns were - no colouration, transparency and the lowest possible noise floor and reliability, because
we record 360 days a year. I simply could not find anything better than the HV-3D.
Jörg Mayr, Audio Engineer, Music Producer Vienna Symphonic Library
Additional Information
| Manufacturer | Millennia Media |
